KOPPOJUTSU TECHNIQUES PDF

Ninjutsu Techniques · Bujinkan Densho · Koto Ryu Koppojutsu Gyokko Ryu Koshijutsu · Koto Ryu Koppojutsu · Togakure Ryu Ninpo · Takagi Yoshin Ryu. Koto Ryu Koppojutsu (虎倒流骨法術) translates as “Tiger Knock Down School”. What specializes the Koto Ryu techniques is that distance is created by moving.

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The Koto Ryu concentrates more on striking, and the Gyokko Ryu more on locks and throws. Pin It on Pinterest. That static point creates koppoujtsu leverage for the rest of the body to move. Martial arts like many other things is to a large extent taught through a process of pattern recognition.

There after the Koto Ryu was following the same family line as Gyokko Ryu. In order not to chase static and leveraging points in a moving body, which by process will always be too late.

The Hekito is unarmed combat against sword, but a skilled member of the school can also do the Hekito with sword against sword. This historical information of the seven traditions taught within the Budo Ryu Kai I feel is correct based on my personal training and research.

To recognize the opportunity for Koppojutsu you need the knowledge of osteological anatomy and you have to understand musculature along with dynamic physiology of a human body in motion.

There went several generations before the system was organized by Sakagami Taro Kunishige. Koto Ryu also has an unusual way of using the katana. In most martial arts training, these concepts are not fully articulated. Koto Ryu Koppojutsu…… 2. Attacks to the face, in addition to metsubushi, are common in the techniques of the school. This gives multiple ways of holding the sword with crossed arms that would totally confuse the attacker, and sometimes convince him that the stylist was an amateur and an easy opponent.

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The Art of Koppojutsu

Directionally speaking the Koto Ryu is straighter in and the Gyokko Ryu revolves more on a circular basis either in yourself or in your opponent when taking their balance. We as koppojuhsu artists and if we happen to be healthcare workers also have to make choices about how to use our knowledge. It is in instances like these, where the knowledge of Koppojutsu can be used to avoid unnecessary injury.

This raises the question as to whether the teacher of an art should systematically point koppojutssu the risks associated with their techniques.

The Art of Koppojutsu – Everything Ninja : Everything Ninja

The knowledge of Koppojutsu is a valuable and important part of martial arts. In many ways, this makes the art harder to learn and conceptual koppojutsh.

We will not be looking into the etymology of the name of this art, which is reviewed elsewhere.

To take advantage of this knowledge, it has to be further understood where the static parts of the structure are as the leverage works its way through the body. Any set of techniques aimed at breaking bones kop;ojutsu sure to be painful and likely crippling. What is less obvious is what are those adaptations, and what are their implications regarding the strengths and weaknesses of the skeleton.

Because of the hard character of the Koto Ryu techniques it demands hard discipline training to harden the body.

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Koto Ryu Koppojutsu

So the knowledge of Koppojutsu is not koppohutsu to cause fractures, dislocations, avulsions and disability, it is also to prevent it and even to heal it. Kaku Gassho – Fire and Wind Prayer. Thereby creating a predictable and reliable opportunity to break parts of the skeleton. The careless, reckless, unscrupulous or ignorant healer can hurt their vulnerable patients in the same way a martial artist can who does not recognize or understand ooppojutsu power hidden in their activities.

This usually is because the person using the technique has insufficient ability and knowledge to prevent the injury from occurring. Koto Ryu Koppojutsu Lineage.

To have koppojutsj ability to inflict that on another person seems an enviable ability in self-defense and combat. Always making the eyes appear blank, so that no telepathic movement can be detected by the opponent Looking at the eyebrows of the opponent rather than their eyes.

Like most other things in combative arts there is more to Koppojutsu than meets the eye. Then they can use the art as they see fit, and not only that, but if their goal is to survive a potentially dangerous encounter. We are all familiar with images in martial art films depicting memorably broken arms and legs, with the enemy permanently and excruciatingly put out of commission.